Formal Review of Shovel Bum by Trent De Boer
Discovering Archaeological Comics
Posted in Archaeology, Comics, tagged Al Wesolowsky, archaeology comic, Cartoon Higher, Catalhoyuk, comics and archaeology, Comics Forum 2013, Haida Manga, Hannah Sackett, Prehistories, Shovel Bum, Sonya Atalay on Nov 25, 2013| 4 Comments »
Discovering archaeological comics…
In response to questions about where people can find the archaeological comics I talked near atComics Forum, here's a cursory Who's Who from my paper:
- Sonya Atalay: Sonya'due south bookCustoms Based Archaeology: Inquiry by, with and for Indigenous and Local Communities, mentions her piece of work using comics with local children at Catalhoyuk; information technology also mentions the comic she and I did together in 2005.
- Michael Nicoll Yahgulanaas:His "Haida Manga"Redis also available online. His own site has more information well-nigh his art and other works, although not a huge corporeality almost Haida Manga.
- Shovel Bum:This collection of comics from Trent DeBoer's archaeological fanzine is notwithstanding bachelor from Alta Mira Press or via Amazon hither in the UK. It also features comics by a number of other contributors, includingTroy Lovata.
- Hannah Sackett: Hannah's wonderful archaeological artefact comics are collected on herPrehistories web log, where there are also links to her "Make Your Own Archaeological Oddities" on her etsy shop.
- Al B. Wesolowsky: Al features in the "Cartoon College" documentary about the Middle for Cartoon Studies in White River Jct., Vermont. The DVD is out now, and makes an entertaining evening'due south viewing.
Every bit always, if there are other archaeologists out in that location making comics – get in touch!
Read Full Post »
Comics – the authentic voice of the workers?
Comics and archaeology actually have a long history together. What site hut wall or lab notice board is not complete without some sarcastic cartoon pinned on the wall, penned on the dorsum of a context sheet? In that location's always someone on site capable of wielding a pen in the cause of caricatures or terrible puns. And at that place are always those in-jokes on any site that stop upwardly condign immortalised in a scrawled cartoon or single-page comic-strip – the ghost of trench five, "psychic planning", Commencement Wreck, etc.
In many ways, the comic, the comic-strip and the cartoon are the authentic phonation of those (to borrow a phrase) at the trowel's edge, time and again excluded from the official archaeological record. Trent De Boer's long-running archaeological cartoon 'zine Shovel Bum is a good Us example. Where else would y'all find a record of the drudgery and triumphs of a circuit digger? Certainly non in an official site report. Circulated primarily among peers, these documents are the "official" tape of the overlooked center of archaeological work. They are the visual and textual record of shared daily experience – an un-censored record of professional person frustrations and successes. But their actuality is entangled with their marginalised condition – bring them into the mainstream official record and they lose much of their validity.
Archaeology needs more 'zines and small-press publications – places where those with fiddling voices in the mainstream business relationship of the profession can be heard. Information technology has been argued that by excluding and ignoring these voices, that much of the genuine context of archaeological field piece of work is passing past unrecorded and unacknowledged. I would advise that site cartoons and lab comics represent a slice of that context thatis being recorded, but non often published beyond the site hut wall.
Is there a way to brand more utilize of these kind of comics in archaeology without eroding the immediacy and relevance that comes with their "outsider" status?
Read Total Post »
New Archaeology Comics
Posted in Archeology, Comics, tagged Copernicus Amy & Me, Ivy, Jima San: God of War, mini-comic, Palau: An archaeological field journal, Searching, Shovel Bum, The Man Who Saved The Past, The Truth Is, Thoughtbubble, York Heritage Research Seminars on February 22, 2013| 2 Comments »
I'll be heading up to York to give one of the York Heritage Research Seminars this coming Tuesday. My talk will be all about my work with comics and archaeology, drawing not just on the writing ofPalau: An Archaeological Field Journal, simply likewise all the other archaeological comics I've been doing recently.
Back in December, I wroteSearching for the 'zineIvy.Information technology'southward a four-page comic on the theme of "identify", and draws on my own archaeological experience of identify. All of the locations in the comic are based on places I've worked in, and capture some of the feeling of the context of fieldwork. In January, I sentThe Truth Is– a comic based on an incident that occurred out on site in Turkey – to Trent DeBoer for inclusion in the most contempo consequence of his archaeological 'zine,Shovel Bum. The weird incident (one of many!) has always stuck in my mind, only information technology was a paper given at final twelvemonth's SAA conference on how academics deal (or don't bargain) with fringe archaeological "discoveries" that prompted me to plough it into a comic.God of War is a longer piece of work – a story about all the things that an excavation can "uncover" besides archæology: local politics and rivalries among them. It's set up on an unnamed island in the Pacific, but based on conversations I had with people out on Palau this past summertime. Stylistically, it's a scrap of a departure for me – the looser feel is inspired past the work of artists like Peter Chung and Taiyo Matsumoto.
With all three comics, I'yard trying to detect out what the medium can do with archaeological subjects and stories. I'm working with unlike styles and different approaches and seeing how they fit with dissimilar kinds of archaeological narratives. And then far, I'one thousand fugitive simply using the medium to produce a "reconstruction", or a narrative based primarily in the past – I want to see how comics can capture more oblique archaeological narratives based in professional experience and discourse.
I besides want to encounter what happens to archaeological comics in unlike printing, publishing and distribution formats such as 'zines, webcomics and small-press editions. Searching will be published in the next outcome of the 'zineIvy, andThe Truth Iswill hopefully exist in the upcoming issueShovel Bum;Jima San volition be serialised as a spider web comic starting later this twelvemonth. My hope is that various of my archaeological mini-comics such every bitCopernicus, Amy & Me and The Man Who Saved The Past will get into impress as small-scale-printing editions – maybe even in fourth dimension for Thoughtbubble? We'll run into.
Read Total Post »
Source: https://johngswogger.wordpress.com/tag/shovel-bum/
0 Response to "Formal Review of Shovel Bum by Trent De Boer"
Postar um comentário